Schopenhauer traces a present hierarchy in the artistic manifestations in which each artistic modality to the one launching in them in a pure contemplation of ideas in them presents a degree of objetivao of the will. Breaking of the architecture as its inferior degree and it shows to the resistance and the intrinsic forces gifts in the substance, being that the last platform of this contemplation inhabits in the musical experience. For it in comparison with the too much arts music is hugest and majestical, being that it also possesss a special power for the fact to have a universalizante aspect that will go beyond the individualities. Music for being independent of all external image is capable of in them presenting the pure Will in its proper movements, then, manifest it the proper incarnate will. This it is understood for the fact of music to possess rules individualized assets of numerical expression and thus it is understood by any individual. Through music forgetting itself itself exactly the man if frees of the suffering that is in the will, being that this release will be given through the pure sound, for it to exert influence on the will, being produced an aesthetic pleasure in the individual that is the contentment in opposition the will. All and any art objects to stimulate the knowledge of the ideas, however, music possesss particularitities qua becomes it different of all the other arts in agreement the author: ' ' Music, therefore is not by no means, as the other arts copy of Ideas, but copy of the proper Will, of which the Ideas also are objetividade.' ' (SCHOPENHAUER.2001.P.230) It is thus because music follows beyond the ideas earning an independence of the world of apparent objetividade or, therefore its existence would be possible same without the existence of the fenmenico world. The idea is immediate of the will being that the arts reproduce these ideas, but already music is the reproduction of the proper will, and this is the existing difference between music and the too much arts, therefore it brings forward of the individual and obtains to momentarily exempt it of the liames of the will, exactly what the philosopher will go to detach: ' ' Music as already said, it differentiates of all the other arts for not being a copy of the phenomenon, or more accurately of the adequate objetividade of the will, but for being an immediate copy of the proper Vontade' ' (SCHOPENHAUER.2001P.231) This distinction between music and the other arts if of the one for it to more than produce effect in the interior of the individual what the others, operating Metaphysical through this copy of the will.