I believe in the privacy of watches. In the prevention of pain. In drunkenness of hugs. In absolute truth and the beauty of lies. In the swing of Benny Carter. At the touch of sand. In a white sheet before the poem. In the healing effect of love. In jam sessions. In meals shared with friends. In unexpected visits. In my hard disk. In the obsession. Some legendary 1500 series. In the hands of Bill Evans. In the eyes of Bette Davis. In the light of the flex. In the eyes of Bette Davis. On the moon on Bourbon Street. Dancer Eduardo Cansino’s daughter, born in Castilleja de la Cuesta (Seville, Spain) and Volga Haworth, of Irish origin. Rita began her career as a dancer with his father, and his real name, at the early age of 13.
Came to Hollywood in 1933, and since 1935 acted as an actress in supporting roles, with many films in series B which especially distinguished by its talent for dance, or its elegant appearance. This stage emphasizes the movie Charlie Chan in Egypt (1937), King Louis, the film belongs to the famous detective saga dedicated East, which work together with Warner Oland, who embodies Chan.
It was her husband, then Edward Judson, who launched to stardom, becoming their personal best investment. Judson got a contract with Columbia Pictures, producer of stars that I needed and important actress who eventually placing among the top film companies, reporting to the company millions in revenue with just his presence. Rita Hayworth was the Columbia, said Frank Sinatra. By then, Harry Cohn, the producer magnate, fell in love with her. Pressure and therefore the dispute between the producer and actress, would give much to talk with industry professionals, and all life was obsessed with her, which never failed to respond to their needs loving.
His first role was as a Supporting Actress in the film: Only angels have wings (1939), from Howard Hawks, making the film critic is to begin to fix it. She had a shy and kind personality, which contrasted with her strength and dramatic impact on the screen in this film, shared the bill with Cary Grant, Jean Arthur and Thomas Mitchell. Rodo then a comedy with Brian Aherne: A lady in question (1940), by Charles Vidor.
Rita triumphant entry into the Twenty Century Fox (the company that had rejected years ago), claimed by the director Rouben Mamoulian, to interpret a Dona Sol in the blockbuster based on the novel by Vicente Blasco Ibanez, Blood and Sand (1941), together with Tyrone Power and Linda Darnell. This film means its launch as undeniable sex symbol for an entire decade. His career became one of the biggest stars of his time and best-paid actress in the film.
Then in two musical comedies of widely popular, along with Fred Astaire: Since that kiss (1941), in Sydney Lamfield, love is born and Dancing (1942), William A. SEITA. These successes and talent led her to star in a musical classic, Models (1944), Charles Vidor, alongside Gene Kelly and Phil Silvers, innovative film in its day, to move the dance numbers to street environments. At that time Rodo The Strawberry Blonde (1941), Raoul Walsh, along with James Cagney and Olivia de Havilland, my favorite girl (1942), Irving Cummings a ribbon cutting along with biographical Victor Mature and Carole Landis, and Tonight and every night (1945), Victor Saville, ranging from a musical comedy and drama minor key, with Lee Bowman and Janet Blair.
On the Town ~ Gene Kelly, Frank Sinatra, Ann Miller, and Jules Munshin (DVD – May 13, 2008)